The city never sleeps; it is always on the move. People, goods, energy and ideas flow through major cities on a daily basis. Around the world, rail transit is experiencing a renaissance – as it becomes a more sustainable and efficient form of travel. And Prague is keeping abreast of this trend. Tens of kilometres of new lines and tunnels for trains, metro cars and trams will be built in the coming years. How will these changes affect everyday life? Which parts of the city will they connect and how will they improve travel within the Czech Republic and Europe as a whole? What new opportunities will investment in the transport infrastructure bring? And can new railways also mean a new city?
The answer to this last question was offered by the exhibition Prague Tomorrow? Connected City right from the start. Displayed at the entrance to the exhibition hall, there was an overview of the basic rules for urban planning hand in hand with the development of rail transport. A series of recommendations from IPR Prague’s urban planners then illustrated examples of good practice from abroad. After this hearty urbanistic introduction, the audience could dive into the intricate routes, tunnels, branch lines and dead ends of Prague’s railway junction, and more. They could explore it gradually, starting right in front of the large screen that, as usual, dominated the exhibition hall. A “nostalgia” theme, featuring the short screening of A Century of Rail, compiled from archival film and television footage, invited the audience to take a journey into the past. Anyone who prefers visions to nostalgia could stay on the platform until the arrival of the special express hurtling towards 2050. The future of rail transport in Prague was clearly presented by an animated diagram showing the new routes and lines—from the planned rail service to Václav Havel Airport, through the planned tunnels under the city centre, to new metro and tram lines. Visitors could then check out the future routes, including stops and stations, at their leisure on the touch screen of the interactive 3D model of Prague. In many ways, the dynamic content of the large-screen film was complemented by the illustrated guide on the opposite wall. There was a printed catalogue packed with information summarising the important context of rail transport planning and its impact on the city’s development. Anyone could take on the role of a train dispatcher and at the touch of a button set in motion a model train with a very unusual propulsion system—our express run through CAMP by pneumatic tube. The exhibition hall also saw the return of another popular piece of furniture—the sofa 2.0, which besides offering a comfortable place to sit and watch the film, also offered those who have already enjoyed the visual experience the opportunity to listen to what is happening beneath the surface of the city. Anyone wanting to learn even more about the development of rail transit could find some essential technical documentation in our study room (especially the Feasibility Study for the Prague Railway Junction including Fast Connections), or could choose from a diverse range of accompanying events including guided tours, lectures, debates and screenings.
A wide range of experts and organizations contributed to the preparation of the exhibition, including the Railway Administration, Mott MacDonald CZ, ROPID, the Prague Public Transit Company, and our colleagues from IPR Prague.
additional materials
Are you interested in exploring this topic in greater depth? The catalog contains a lot of information that didn't make it into the exhibition, including transit and other maps.
Digital tour
Would you like to get a better idea of what the exhibition looked like? You can still visit it via a virtual tour in the Matterport app.
Accessibility
What measures have we incorporated into the exhibition to ensure that everyone can truly enjoy it, regardless of age, experience, or individual limitations?
Multimedia guide
Take a look behind the scenes of the exhibitions with the Bloomberg Connects multimedia guide. It includes various bonus materials, such as a video tour of the exhibition.
Curators of the exhibition: Eugen Liška, Benedikt Markel
Supervisors: Štěpán Bärtl, Ondřej Boháč, Adam Švejda
Expert patronage of exhibition: Marek Binko, Marek Zděradička
Expert collaboration: Michal Babič, Jiří Čtyroký, Jaromír Hainc, Kristýna Lhotská, Martin Vaněk, Jakub Zajíček
Content coordination of the exhibition: Štěpán Beneš
Production: Daniela Křižanová
Architectural design: Benedikt Markel
Texts: Marek Binko, Eugen Liška
Illustration: Marek Kundrata
Graphic design: Ex Lovers
Animation and projection design: Oficina – Marek Cimbálník, Vlaďka Cimbálníková, David Jurion, Andrej Kučera, Jan Netušil, Jiří Netušil, Luisa Pánková
Editing: Filip Liška
Music: Aid Kid, Tomáš Liška, Jakub Švejnar
Sound: Jakub Jurásek
Voiceover: Jan Vondráček
Graphic and technical design of 3D model of Prague: Vojtěch Cehák, Tomáš Kandel, Andrej Kučera
AV system: Zdeněk Grosman, Klára Míčková, Michal Průcha, Martin Vronský
Sofa: Daniel Golík, Jakub Jarcovják, Tomislav Hubinka
Pneumatic tube: Pragohlas – Josef Fučík
PR and marketing: Jiří Jaroš, Barbora Kloudová, Tereza Procházková, Sarah Šašková, Lívia Valková
Accompanying programme: Klára Vetterová, Marie Zákostelecká
Educational programme: Jolana Říhová
Exhibition accessibility: Hana Rabasová, Mariana Chytilová
Language proofreading and translation: Frances Kathleen Coles, Didacticus, Tereza Pálková, Nicole Princlová
Installation: Jan Oberreiter
Prints: FPS Repro, Luna, Signpek
Archival footage: Česká televize, Národní filmový archiv, Krátký film